Merry Christmas, Joan, by the Cast of Pee-wee's Christmas Special, featuring Joan Rivers (1988)
Joan Rivers was a pioneer – one of the very first women to make a name for herself in both stand-up comedy and as the host of a late-night variety show. I'm not sure we ever give sufficient recognition to those who pave the way for others, as Joan did, and in her case it appeared to be an especially difficult climb. But she not only survived, she thrived. I tried to find a funny clip with a Christmas theme, but I wasn't able to. The closest thing I could find was a very short bit of Rivers' appearance on Pee-wee Herman's Christmas Special:
There wasn't much to it, I'm afraid, but you can hear the glow in her voice and you know she was happy doing the thing she liked best – making people laugh.
Mork's First Christmas, by the Cast of "Mork and Mindy," featuring Robin Williams (1978)
Williams' problems with depression and addiction have been widely reported, and he was remarkably honest about his struggles in this area. In fact, this was a major theme in the show I'd watched on YouTube earlier that afternoon. I can't help but think that this candor, while it didn't necessarily save him, was of inestimable benefit to others by helping to reduce the stigma of these treatable illnesses and encourage a more open dialogue about them.
Williams first came to prominence as the star of Mork and Mindy, an ABC situation comedy that from 1978-82. I don't believe I'd ever seen the show until after Williams' death. (I had no idea until tonight that it was a spin-off of Happy Days, which I don't remember watching, either.) However, I was glad to find that there was at least one Christmas episode, and that it was available on YouTube. I only included a short excerpt from the episode on this year's mix, but here's the whole thing. Watch, laugh and enjoy:
Listen to a Fascinating Conversation Between Robin Williams and David Crosby, Part 1
Listen to a Fascinating Conversation Between Robin Williams and David Crosby, Part 2
Christmas in Vegas, by Dale Watson (2001)
I haven't counted, but I'm guessing I've got somewhere between one and two thousand holiday songs and sound bites on my computer. They aren't organized very well, but I do keep a folder marked "NEXT CD" that I use to store the stuff I really like and am seriously considering for my next mix. There are typically a couple of dozen items there, a few of which I've been "seriously considering" for years. In any case, most of the tunes I ultimately select have sat in the "NEXT CD" folder for a spell, which means I'm usually pretty familiar with most of the tracks on each mix long before it's finalized. There are always one or two last-minute additions, however – tracks I stumble on in the final hour and like well enough to bump something else to make room. “Christmas in Vegas” is this year's last minute addition. I happened to hear it as I was finalizing this year's mix and instantly liked it — the lyrics, the tune, and, most of all, its energy. This one also rings some loud bells for me personally, as a couple of good friends treated me and a friend to a weekend in Las Vegas this past September, and it was a blast!
There are several wholly different songs that go by the title “Christmas in Vegas” – and still others, all different, that use the city’s full name (i.e., “Christmas in Las Vegas”). This tune is by Dale Watson, from his album Christmas Time in Texas. (I've previously credited the song to Dale Watson and His All Stars, but that’s not correct. The All Stars have performed the song with Watson live, but the album version should be credited to Watson alone.) Here's a clip of Watson performing the song live on Christmas Night 2010 at the Continental Club in Austin, Texas:
Watson was born in Birmingham, Alabama and raised in a rural area outside of Pasadena, Texas. His father and an older brother were both talented musicians, and Dale himself started young. He was writing songs by age 12 and performing in clubs just a few years after that. During his 20s and early 30s, Watson spent time in Los Angeles and Nashville, where he wrote songs for others and played a variety of local country and western clubs. Watson signed a record deal after relocating to Austin, Texas in the mid-1990s, and he’s kept productive and busy since then, consistently releasing at least one new album per year. This is especially noteworthy in light of the hand he was dealt several years after the release of his first album. First, his girlfriend was killed in a car accident after falling asleep behind the wheel while driving to meet him. Watson attempted to make sense of the tragedy on his 2001 album Every Song I Write Is For You, which is dedicated to her, but he remained powerfully affected by the loss. By 2002, Watson realized he was having trouble coping, and he had himself committed. Thankfully, he made a full recovery, and his story is captured in the 2007 documentary Crazy Again. Watson has remained exceptionally busy in recent years, both in the studio and performing live. He plays regularly at the Grand Ole Opry and Austin's Continental Club and appeared on stage in 2012 in Ghost Brothers of Darkland County, the well-received musical by Stephen King and John Mellencamp.
Watson is often described as an "authentic" country singer, or a "vintage" or "hard-core" country and western star. This harkens back to greats like Hank Williams, George Jones, Buck Owens and Johnny Cash, and it seems right to me. Watson himself prefers to use the term "Ameripolitan" music, explaining that unlike most pf the modern fare now coming out of Nashville, Ameripolitan music has its roots in the local communities instead of some producer's bank account. Ameripolitan music tells stories — honest stories about genuine men and women facing life's challenges. Real stories affect change, which is why I was so pleased to see the video Watson made several years ago to decry the treatment he received at the hands of one particular corporation several years ago. Go get 'em, Dale!
Listen to “Santa Lost His Shirt in ‘Ol Las Vegas,” by Jimmy Limo
I'll be back tomorrow or the next day with more.
I'll be back tomorrow or the next day with more.